
Two Hundred Dollars — Lennon Yarwood
Your number is worth two hundred dollars to four drunk hockey players, and the alternate captain has just walked over to tell you the whole joke himself.
Explore AI characters tagged Protective. Read their personalities, worlds, and opening scenarios to find your next conversation.
1,030 characters · Page 51
Explore each profile to learn about the character, their world, and opening scenario. Browse other categories for a different story. These are fictional AI characters, not real people.
All categoriesExplore AI characters tagged Protective. Read their personalities, worlds, and opening scenarios to find your next conversation.
1,030 characters · Page 51
Explore each profile to learn about the character, their world, and opening scenario. Browse other categories for a different story. These are fictional AI characters, not real people.
All categories
Your number is worth two hundred dollars to four drunk hockey players, and the alternate captain has just walked over to tell you the whole joke himself.

One night, no names, and a man who was gone before you woke. Four weeks later he is sitting in your father's office, and your father is calling him sir.

You found a gunshot and dragged it home. Now the man you stitched is awake on your couch, asking who is paying you, and he says he does not hurt people who help him.

You stopped the bleeding in an alley and went home. Two days later the woman you saved is sitting on your couch with two of her people outside your door, offering you protection you did not ask for.

He is the Alpha King, thirty years old, and the first thing he has ever had to ask for is you. The bond chose; he did not, and he will not put a claim on you that you have not said out loud yourself. You are the eldest daughter of a small northern pack, in a dress you hate, in a hall full of wolves who all stood up when he came in. You did not stand up. He noticed, and then his wolf caught your scent, and the whole evening turned into something neither of you planned.

His voice has been going since the second setup, and you are the new coordinator nobody sent to help him. He is the oldest of five in ORYX, the group the label has staked its year on, and he has not been on form since the first frame. The studio is on a break, the coffee has gone cold, and the whole crew is very carefully not walking over. You have one day to prove you can run this room and one idol who will not say what is wrong. He asks you for the one thing nobody in this building gives him: a plain answer about the take.

The woman who holds your debt knocks three times and has never once asked you for anything but the money. Rinko comes on the same night every week, fixes your crooked number plate, looks at the empty fridge, and opens a ledger full of extensions in your name. She is not here to be paid in anything but cash, and she says so on the doorstep before she comes in. What she has never said is that for three months the interest has been coming out of her own pocket.

Three hours, cold food, three photographs, and a man who will not say a word on the phone. He is your husband, and the only thing he can offer tonight is a room with a witness in it.

He signs what you write, and the clause that ends this marriage is in your handwriting. Loris Falconieri runs a family and a firm the way other men run a war, and he has kept every term you drafted, down to the rooms that are yours alone. Tonight his consigliere is across the table, the firm's files are moving into his wing, and the family has begun asking about an heir. At that table he gives the same answer every time: not until she says so.

You were in a convenience store at twenty to eight, and now you are the last thing between Rees Channing and a plane to America. He closed the last show of a thirty-one date tour an hour ago and he is still in the jacket with the sewn-on patch, with his road manager calling his name from the car. He saw you in the crowd at the third song and asked the crew to leave the house lights up for the last one. He does not know your name. He has four hours and a receipt in his pocket with four lines written on the back of it.

He pays the number you named, to the dollar, and has never added a dollar to it, and that is the least interesting thing about the way he wants you. Estes Churston owns The Lantern Room, four blocks off the water, and the rest of his week is other people's freight moving through this city. You dance three nights and set your own terms; he asked once tonight and is waiting on the word. Nobody in that building decides anything for you, including him.

Your roommate is at your door at eleven with his phone in his hand, because his ex has not answered and he does not know where else to put it. Jethro Baxendale is twenty-one, a quarterback on a scholarship one bad semester from gone, and he is the size of a door and about as subtle. Violante ended it three weeks ago, cleanly, to his face, and he is not over it. Tonight he is going to sit on your floor and be lonely out loud, unless you tell him different.

Seven months ago you read the marriage contract page by page, you wrote one clause into it with your own hand, and your husband has not crossed the hallway to your door since. In public he is flawless: a hand at your back, your chair pulled out, your name said with something that looks like pride. At home he is polite, careful, and somewhere else, and the house is big enough that a man can be polite for seven months. Quintia turned down the position of wife eight years ago. The position, not the man: the expectations, the children, the name on the door. She runs planning for the legal side of the family, works until the numbers are finished, and is not your enemy and not your friend. Marnix has known Celio since they were fourteen, writes every contract the family signs, and is the only person alive who knows why the hallway stays empty. Celio thinks he knows why you signed the contract. He is wrong, and he has never once asked.

He built you a room out of things you mentioned once, and his daughter has already decided she wants it more. Loreto Boscawen, forty-four, moves freight through a port his family has owned a piece of since before he was born, and he has spent three years learning you the way he learns a manifest — one line at a time, in pencil. This morning you moved into his house. By noon his twenty-three-year-old daughter had taken the room, not out of malice but because nobody ever taught her that a thing can belong to somebody else. He is already planning how to make it up to you, and that is the part you should be watching.

The man across the ballroom has been looking at you for twenty minutes, and he has not once pretended otherwise. Girard Chilton is the second man in the Lombardi family: he leads the negotiations, gives the instructions, and has never needed to raise his voice to end an argument. He is also the only man at that table who will not use your brother as leverage, and he has already turned down an offer that would have made it easy. He asks. Three times, in whole sentences, and each time he tells you where the door is before he finishes. You are the sister of the new Don, which makes you interesting to everyone in this room and makes you a problem to exactly one person in it: him.

Your face was on his stream for eleven seconds, and he ended it before the twelfth. Bryn Marsdale, twenty-five, streams to a few thousand people a night out of the room next to yours, and he is funnier on camera than he is standing in the kitchen at three in the morning. You answered his ad because you had one suitcase and nowhere else to put it. What he has not told you: the clip is gone from every mirror, he paid for that himself, and he is sitting on a contract that would double his money if a camera went up in the hallway.

He came home from the trip he took instead of you, still certain he could fix it in one evening. Dariusz Galloway, thirty-six, runs the holding company his family built and has spent three weeks in a car with a dying friend instead of on the ten days he promised you. The child in that car is not his and the woman is not a rival; she is his late partner's widow, and he is her executor, and he has not told you what her doctors said in March. You emptied the flat while he was gone. He is at the door now, holding it open for her, expecting your coat on the hook.

Jarek Abney has not taken the mask off in front of anyone on this ridge, and he asks you the one question that matters before he asks for anything else. You are the translator sent up for the crossing season, desk in the relay room, headset on the table. He commands the eleven people who pull bodies and survivors off the high pass, and he runs it by a rule the squad repeats like a joke: he does not go back for anyone twice. That is the work, not a threat. The threat is that he already knows how long you are staying, and he has not told you why he asked.

Faustino Zorbas came back to the estate tonight, and he has already found a reason to be where you are carrying a tray. You serve drinks in his grandfather's house. He is the grandson who runs the family's port and came back tonight after eleven weeks, with a helicopter hanging over the bay and no explanation for any of it. He asks you for things in full sentences, waits for your answer, and does not pretend afterwards that the answer was yes. Una has warned you about the family. Vencel has warned you about him. Neither warning mentioned the part where he remembers what you said on Tuesday.

He moved your chair to the aisle and put two of his own men at that door, and he has not said one word to you. Bohdan Zaleski is thirty-three and keeps the accounts, the rooms and the door money for Yann Ebersole, whose wedding you are standing in as your best friend's maid of honour. He has known your handwriting for a year and met your face this morning, and the difference between those two facts is currently ruining a seating card in his pocket. You know your chair is not where it was this morning. You do not know what else he rearranged, or that your coat has been in the back of his car since spring.

Your number is worth two hundred dollars to four drunk hockey players, and the alternate captain has just walked over to tell you the whole joke himself.

One night, no names, and a man who was gone before you woke. Four weeks later he is sitting in your father's office, and your father is calling him sir.

You found a gunshot and dragged it home. Now the man you stitched is awake on your couch, asking who is paying you, and he says he does not hurt people who help him.

You stopped the bleeding in an alley and went home. Two days later the woman you saved is sitting on your couch with two of her people outside your door, offering you protection you did not ask for.

He is the Alpha King, thirty years old, and the first thing he has ever had to ask for is you. The bond chose; he did not, and he will not put a claim on you that you have not said out loud yourself. You are the eldest daughter of a small northern pack, in a dress you hate, in a hall full of wolves who all stood up when he came in. You did not stand up. He noticed, and then his wolf caught your scent, and the whole evening turned into something neither of you planned.

His voice has been going since the second setup, and you are the new coordinator nobody sent to help him. He is the oldest of five in ORYX, the group the label has staked its year on, and he has not been on form since the first frame. The studio is on a break, the coffee has gone cold, and the whole crew is very carefully not walking over. You have one day to prove you can run this room and one idol who will not say what is wrong. He asks you for the one thing nobody in this building gives him: a plain answer about the take.

The woman who holds your debt knocks three times and has never once asked you for anything but the money. Rinko comes on the same night every week, fixes your crooked number plate, looks at the empty fridge, and opens a ledger full of extensions in your name. She is not here to be paid in anything but cash, and she says so on the doorstep before she comes in. What she has never said is that for three months the interest has been coming out of her own pocket.

Three hours, cold food, three photographs, and a man who will not say a word on the phone. He is your husband, and the only thing he can offer tonight is a room with a witness in it.

He signs what you write, and the clause that ends this marriage is in your handwriting. Loris Falconieri runs a family and a firm the way other men run a war, and he has kept every term you drafted, down to the rooms that are yours alone. Tonight his consigliere is across the table, the firm's files are moving into his wing, and the family has begun asking about an heir. At that table he gives the same answer every time: not until she says so.

You were in a convenience store at twenty to eight, and now you are the last thing between Rees Channing and a plane to America. He closed the last show of a thirty-one date tour an hour ago and he is still in the jacket with the sewn-on patch, with his road manager calling his name from the car. He saw you in the crowd at the third song and asked the crew to leave the house lights up for the last one. He does not know your name. He has four hours and a receipt in his pocket with four lines written on the back of it.

He pays the number you named, to the dollar, and has never added a dollar to it, and that is the least interesting thing about the way he wants you. Estes Churston owns The Lantern Room, four blocks off the water, and the rest of his week is other people's freight moving through this city. You dance three nights and set your own terms; he asked once tonight and is waiting on the word. Nobody in that building decides anything for you, including him.

Your roommate is at your door at eleven with his phone in his hand, because his ex has not answered and he does not know where else to put it. Jethro Baxendale is twenty-one, a quarterback on a scholarship one bad semester from gone, and he is the size of a door and about as subtle. Violante ended it three weeks ago, cleanly, to his face, and he is not over it. Tonight he is going to sit on your floor and be lonely out loud, unless you tell him different.

Seven months ago you read the marriage contract page by page, you wrote one clause into it with your own hand, and your husband has not crossed the hallway to your door since. In public he is flawless: a hand at your back, your chair pulled out, your name said with something that looks like pride. At home he is polite, careful, and somewhere else, and the house is big enough that a man can be polite for seven months. Quintia turned down the position of wife eight years ago. The position, not the man: the expectations, the children, the name on the door. She runs planning for the legal side of the family, works until the numbers are finished, and is not your enemy and not your friend. Marnix has known Celio since they were fourteen, writes every contract the family signs, and is the only person alive who knows why the hallway stays empty. Celio thinks he knows why you signed the contract. He is wrong, and he has never once asked.

He built you a room out of things you mentioned once, and his daughter has already decided she wants it more. Loreto Boscawen, forty-four, moves freight through a port his family has owned a piece of since before he was born, and he has spent three years learning you the way he learns a manifest — one line at a time, in pencil. This morning you moved into his house. By noon his twenty-three-year-old daughter had taken the room, not out of malice but because nobody ever taught her that a thing can belong to somebody else. He is already planning how to make it up to you, and that is the part you should be watching.

The man across the ballroom has been looking at you for twenty minutes, and he has not once pretended otherwise. Girard Chilton is the second man in the Lombardi family: he leads the negotiations, gives the instructions, and has never needed to raise his voice to end an argument. He is also the only man at that table who will not use your brother as leverage, and he has already turned down an offer that would have made it easy. He asks. Three times, in whole sentences, and each time he tells you where the door is before he finishes. You are the sister of the new Don, which makes you interesting to everyone in this room and makes you a problem to exactly one person in it: him.

Your face was on his stream for eleven seconds, and he ended it before the twelfth. Bryn Marsdale, twenty-five, streams to a few thousand people a night out of the room next to yours, and he is funnier on camera than he is standing in the kitchen at three in the morning. You answered his ad because you had one suitcase and nowhere else to put it. What he has not told you: the clip is gone from every mirror, he paid for that himself, and he is sitting on a contract that would double his money if a camera went up in the hallway.

He came home from the trip he took instead of you, still certain he could fix it in one evening. Dariusz Galloway, thirty-six, runs the holding company his family built and has spent three weeks in a car with a dying friend instead of on the ten days he promised you. The child in that car is not his and the woman is not a rival; she is his late partner's widow, and he is her executor, and he has not told you what her doctors said in March. You emptied the flat while he was gone. He is at the door now, holding it open for her, expecting your coat on the hook.

Jarek Abney has not taken the mask off in front of anyone on this ridge, and he asks you the one question that matters before he asks for anything else. You are the translator sent up for the crossing season, desk in the relay room, headset on the table. He commands the eleven people who pull bodies and survivors off the high pass, and he runs it by a rule the squad repeats like a joke: he does not go back for anyone twice. That is the work, not a threat. The threat is that he already knows how long you are staying, and he has not told you why he asked.

Faustino Zorbas came back to the estate tonight, and he has already found a reason to be where you are carrying a tray. You serve drinks in his grandfather's house. He is the grandson who runs the family's port and came back tonight after eleven weeks, with a helicopter hanging over the bay and no explanation for any of it. He asks you for things in full sentences, waits for your answer, and does not pretend afterwards that the answer was yes. Una has warned you about the family. Vencel has warned you about him. Neither warning mentioned the part where he remembers what you said on Tuesday.

He moved your chair to the aisle and put two of his own men at that door, and he has not said one word to you. Bohdan Zaleski is thirty-three and keeps the accounts, the rooms and the door money for Yann Ebersole, whose wedding you are standing in as your best friend's maid of honour. He has known your handwriting for a year and met your face this morning, and the difference between those two facts is currently ruining a seating card in his pocket. You know your chair is not where it was this morning. You do not know what else he rearranged, or that your coat has been in the back of his car since spring.