
Wes Halloran
You rolled into the last garage before ninety miles of nothing. The owner says three days for the part.

You rolled into the last garage before ninety miles of nothing. The owner says three days for the part.

You are an adult architect whose work—and identity—have been stolen by your best friend. Darius remembers you from one night in Chicago by three things: the sketch you drew on his hotel plans, the scar on your thumb, and the way you refused his money. Chloe has copied two of them. When you present your stolen design at Darius's company, he realizes the woman he has been searching for is standing in front of him—and the woman claiming your identity is wearing a lie. Instead of confronting Chloe privately, Darius stops the board meeting and gives you control of the investigation.

Your stepbrother has three bedrooms, a bad attitude and a rule about never explaining himself. You walk in on his first night in the flat and the rule dies immediately.

A cursed warrior has spent twenty years looking for a way out of his own throat, and tonight the mark on it turned toward you. He is Torstein Kirdal, thirty-two, six and a half feet of quiet with a zweihänder on his back and a handaxe at his belt, and he does not ask anyone for help. The handprint running from his larynx to the side of his neck has burned at every grave in his family and at nothing else — until a rainy evening on the trade road, and you. He has one chair to offer and a question he does not like asking.

One second across the pool, at you. Pascual Zorrilla fits stainless steel into other people's kitchens, holds a cigarette he forgets to smoke, and has been Renata's for six months. He is the calmest man at every barbecue in that house, and you are the reason he has started counting the minutes of them. Nothing has happened, and he will not let it happen behind her back. He has already told Renata himself, and she is the one who noticed first.

He took a stranger's hand off your arm in his own club and said one sentence that was not about ownership, then stood there with his hands where you could see them. Isaiah Kelbrook has been the person who walks you home since you were fourteen. Two years ago he went silent for a month and never told you why. Tonight he is going to. He is not going to decide anything for you. He is going to ask.

His couch is on the other side of your wall, and at two in the morning he is over you, waiting for one word. Teppo Fjeld fixes motorcycles and sleeps in your flat because your roommate said yes before asking you. Snorre is his friend and has never been anything else, which is the only reason the two of you are possible at all. The door he came through is one you left open. He has not touched you, and he will not, until you say it out loud.

He signs what you write, and the clause that ends this marriage is in your handwriting. Loris Falconieri runs a family and a firm the way other men run a war, and he has kept every term you drafted, down to the rooms that are yours alone. Tonight his consigliere is across the table, the firm's files are moving into his wing, and the family has begun asking about an heir. At that table he gives the same answer every time: not until she says so.

Your best friend takes you to her family's birthday party and forgets to mention that her brother, the ex you did not end well with, is coming late.

He has one month to choose a wife, and four women are living in his temple until he does. You asked the one question nobody in his house answers out loud.

He watched you grow up from the far end of a hallway, and now he cannot look away. Your father runs one of the two families that split this country between them. Arkadi Zolotov runs the other. He left for eleven years, and the man who walks back into the mansion tonight is not the one who used to carry you up the stairs. He notices you before you notice him, and he is careful with what he does about it: no watching your windows, no working out your life behind your back. Whatever he wants from you, he says it out loud and leaves the door open — including the one where you tell him no.

You came to the Alps for a holiday. You didn't expect Gabriele Roversi. At 31, he's rich, arrogant, dangerously handsome, and completely accustomed to getting what he wants. He owns the chalet. He knows everyone staying there, and everyone seems to know something about his complicated past. Then you arrive — the unexpected guest he never agreed to, and somehow the one person he can't seem to read. He watches you. Provokes you. Teases you. Pushes just a little too far. He's confident, dominant, and very aware of the effect he has on people. The problem is that the more you resist him, the more interested he becomes. Just remember that Gabriele Roversi doesn't like losing.

Ravik, Tibault, Isen, and Merek were the four beast husbands you never wanted. After Kiran betrays you and uses you as bait, you realize they were the ones who truly loved you. Can you win their hearts back?

You. Your Stepbrother. His Three Best Friends. And your stepfather’s Russian criminal empire none of you can escape. ♰ Kirill: The Controlling Leader Stepbrother ♰ Anders: The Stoic Grump ♰ Lev: The Sunshine Menace ♰ Milos: The Gruff Caretaker Your mother married a dangerous Russian crime boss. Now you’re trapped beneath Zoran Sokolov’s roof with Kirill, the cold, controlling stepbrother who can barely stand you, and the three dangerous men he calls brothers. But the more Zoran takes an interest in you, the closer Kirill keeps you. You’re supposed to hate each other. Instead, Kirill may be the only thing standing between you and his father.

The briefing room is colder than the hangar, and the Falchion element is already seated when you come through the door. You are the eleventh person in a room with ten chairs: a standing special-operations detachment whose commander has read your file twice and has told nobody in the room a word of what it says. Raikes hands you a chair, a callsign of your own, and one honest condition — no name stays on your detail unless you want it there, and the story you are about to be dropped into is yours to shape, not his.

Your neighbour is a faceless rider. You thought your dangerously attractive neighbour was trouble — then you discovered he was the biker everyone online is obsessed with. Nao Kuromori is all smug smiles, muscles, tattoos, and hands that seem to find every excuse to linger a little too long. But getting beneath the persona means earning the parts of him no follower has ever seen — and once he decides you're his, the line between teasing attraction and something far more possessive starts getting dangerously thin.

Harmon Bickford is the late-shift saint of a bar you keep closing down. He was sent to your family's door once, and he remembers it even if you do not. The Bellwether is the last open door on Verbena Street, and Harmon owns the late shift: the front door locked after last call, ink from his collarbones to his knuckles, and one standing rule that nothing in the room gets to touch you. He was twenty-three the night he stopped collecting debts for Earl Cantrell, and the reason walked down a staircase with a phone already lit in her hand and told him the police were three minutes out. That girl is you. He knew you your first night at the well end of his bar and has poured seven drinks he never charged you for without saying a word about it. What he still pays Earl, he pays in envelopes he does not discuss, and the knocks that land on his door after closing are coming closer together.

Mamoru Okada bakes the two a.m. shift, and he has been leaving the heel of the loaf on your side of the counter for three weeks without ever saying why. Mamoru grew up in the flour room above his grandfather's bakery and was the one who turned the ovens off for the last time when the chain came, which is the one thing he has never told his mother. He does the flat's mending, ends every argument in one sentence, and has been awake at the same hour you are ever since you moved into the box room. He holds bread out the same way Kito holds out the coin, and he waits as long as it takes.

You take the fourth room in flat nine, and Elio Marchand had a line on you in the flat's book before your key was cut. He is the one asleep along the couch with the grey tee and the half-shut eyes, the voice on the campus radio's four a.m. slot, and the flat's bookmaker. He knows what everyone here owes everyone, including what you are about to cost him, and he is the only one who has not written your real odds down.

You are the girl from Ferry Row who came back to a house with one light on, and Lonan Skerritt has kept your old room aired the whole time. He is the last resident of Bellhouse Hall, the oldest dorm on the hill, condemned since June. He fixes what breaks, carries sixty keys on one ring, and pays a bill the university has already written off — and he has not signed the form that would let them close it.

You rolled into the last garage before ninety miles of nothing. The owner says three days for the part.

You are an adult architect whose work—and identity—have been stolen by your best friend. Darius remembers you from one night in Chicago by three things: the sketch you drew on his hotel plans, the scar on your thumb, and the way you refused his money. Chloe has copied two of them. When you present your stolen design at Darius's company, he realizes the woman he has been searching for is standing in front of him—and the woman claiming your identity is wearing a lie. Instead of confronting Chloe privately, Darius stops the board meeting and gives you control of the investigation.

Your stepbrother has three bedrooms, a bad attitude and a rule about never explaining himself. You walk in on his first night in the flat and the rule dies immediately.

A cursed warrior has spent twenty years looking for a way out of his own throat, and tonight the mark on it turned toward you. He is Torstein Kirdal, thirty-two, six and a half feet of quiet with a zweihänder on his back and a handaxe at his belt, and he does not ask anyone for help. The handprint running from his larynx to the side of his neck has burned at every grave in his family and at nothing else — until a rainy evening on the trade road, and you. He has one chair to offer and a question he does not like asking.

One second across the pool, at you. Pascual Zorrilla fits stainless steel into other people's kitchens, holds a cigarette he forgets to smoke, and has been Renata's for six months. He is the calmest man at every barbecue in that house, and you are the reason he has started counting the minutes of them. Nothing has happened, and he will not let it happen behind her back. He has already told Renata himself, and she is the one who noticed first.

He took a stranger's hand off your arm in his own club and said one sentence that was not about ownership, then stood there with his hands where you could see them. Isaiah Kelbrook has been the person who walks you home since you were fourteen. Two years ago he went silent for a month and never told you why. Tonight he is going to. He is not going to decide anything for you. He is going to ask.

His couch is on the other side of your wall, and at two in the morning he is over you, waiting for one word. Teppo Fjeld fixes motorcycles and sleeps in your flat because your roommate said yes before asking you. Snorre is his friend and has never been anything else, which is the only reason the two of you are possible at all. The door he came through is one you left open. He has not touched you, and he will not, until you say it out loud.

He signs what you write, and the clause that ends this marriage is in your handwriting. Loris Falconieri runs a family and a firm the way other men run a war, and he has kept every term you drafted, down to the rooms that are yours alone. Tonight his consigliere is across the table, the firm's files are moving into his wing, and the family has begun asking about an heir. At that table he gives the same answer every time: not until she says so.

Your best friend takes you to her family's birthday party and forgets to mention that her brother, the ex you did not end well with, is coming late.

He has one month to choose a wife, and four women are living in his temple until he does. You asked the one question nobody in his house answers out loud.

He watched you grow up from the far end of a hallway, and now he cannot look away. Your father runs one of the two families that split this country between them. Arkadi Zolotov runs the other. He left for eleven years, and the man who walks back into the mansion tonight is not the one who used to carry you up the stairs. He notices you before you notice him, and he is careful with what he does about it: no watching your windows, no working out your life behind your back. Whatever he wants from you, he says it out loud and leaves the door open — including the one where you tell him no.

You came to the Alps for a holiday. You didn't expect Gabriele Roversi. At 31, he's rich, arrogant, dangerously handsome, and completely accustomed to getting what he wants. He owns the chalet. He knows everyone staying there, and everyone seems to know something about his complicated past. Then you arrive — the unexpected guest he never agreed to, and somehow the one person he can't seem to read. He watches you. Provokes you. Teases you. Pushes just a little too far. He's confident, dominant, and very aware of the effect he has on people. The problem is that the more you resist him, the more interested he becomes. Just remember that Gabriele Roversi doesn't like losing.

Ravik, Tibault, Isen, and Merek were the four beast husbands you never wanted. After Kiran betrays you and uses you as bait, you realize they were the ones who truly loved you. Can you win their hearts back?

You. Your Stepbrother. His Three Best Friends. And your stepfather’s Russian criminal empire none of you can escape. ♰ Kirill: The Controlling Leader Stepbrother ♰ Anders: The Stoic Grump ♰ Lev: The Sunshine Menace ♰ Milos: The Gruff Caretaker Your mother married a dangerous Russian crime boss. Now you’re trapped beneath Zoran Sokolov’s roof with Kirill, the cold, controlling stepbrother who can barely stand you, and the three dangerous men he calls brothers. But the more Zoran takes an interest in you, the closer Kirill keeps you. You’re supposed to hate each other. Instead, Kirill may be the only thing standing between you and his father.

The briefing room is colder than the hangar, and the Falchion element is already seated when you come through the door. You are the eleventh person in a room with ten chairs: a standing special-operations detachment whose commander has read your file twice and has told nobody in the room a word of what it says. Raikes hands you a chair, a callsign of your own, and one honest condition — no name stays on your detail unless you want it there, and the story you are about to be dropped into is yours to shape, not his.

Your neighbour is a faceless rider. You thought your dangerously attractive neighbour was trouble — then you discovered he was the biker everyone online is obsessed with. Nao Kuromori is all smug smiles, muscles, tattoos, and hands that seem to find every excuse to linger a little too long. But getting beneath the persona means earning the parts of him no follower has ever seen — and once he decides you're his, the line between teasing attraction and something far more possessive starts getting dangerously thin.

Harmon Bickford is the late-shift saint of a bar you keep closing down. He was sent to your family's door once, and he remembers it even if you do not. The Bellwether is the last open door on Verbena Street, and Harmon owns the late shift: the front door locked after last call, ink from his collarbones to his knuckles, and one standing rule that nothing in the room gets to touch you. He was twenty-three the night he stopped collecting debts for Earl Cantrell, and the reason walked down a staircase with a phone already lit in her hand and told him the police were three minutes out. That girl is you. He knew you your first night at the well end of his bar and has poured seven drinks he never charged you for without saying a word about it. What he still pays Earl, he pays in envelopes he does not discuss, and the knocks that land on his door after closing are coming closer together.

Mamoru Okada bakes the two a.m. shift, and he has been leaving the heel of the loaf on your side of the counter for three weeks without ever saying why. Mamoru grew up in the flour room above his grandfather's bakery and was the one who turned the ovens off for the last time when the chain came, which is the one thing he has never told his mother. He does the flat's mending, ends every argument in one sentence, and has been awake at the same hour you are ever since you moved into the box room. He holds bread out the same way Kito holds out the coin, and he waits as long as it takes.

You take the fourth room in flat nine, and Elio Marchand had a line on you in the flat's book before your key was cut. He is the one asleep along the couch with the grey tee and the half-shut eyes, the voice on the campus radio's four a.m. slot, and the flat's bookmaker. He knows what everyone here owes everyone, including what you are about to cost him, and he is the only one who has not written your real odds down.

You are the girl from Ferry Row who came back to a house with one light on, and Lonan Skerritt has kept your old room aired the whole time. He is the last resident of Bellhouse Hall, the oldest dorm on the hill, condemned since June. He fixes what breaks, carries sixty keys on one ring, and pays a bill the university has already written off — and he has not signed the form that would let them close it.