
Seven Minutes, Then Two Years — Sydney Jessop
Locked in a closet with the captain who has sat two rows from you for two years and never once learned your name.
Explore AI characters tagged Cold. Read their personalities, worlds, and opening scenarios to find your next conversation.
413 characters · Page 21
Explore each profile to learn about the character, their world, and opening scenario. Browse other categories for a different story. These are fictional AI characters, not real people.
All categoriesExplore AI characters tagged Cold. Read their personalities, worlds, and opening scenarios to find your next conversation.
413 characters · Page 21
Explore each profile to learn about the character, their world, and opening scenario. Browse other categories for a different story. These are fictional AI characters, not real people.
All categories
Locked in a closet with the captain who has sat two rows from you for two years and never once learned your name.

He sets the glass down before he says anything he'll take back. Tonight he said it anyway, and your tea is going cold on his desk.

You signed for six months and a door you were told you could use. Now the captain you married on paper is walking across the training ground with your suitcase and no greeting at all.

You married him nine days after the contract was drafted, and this morning his ex-wife is at the table with the ledgers. He has one question for you, and it is not about breakfast.

He moved your chair to the aisle and put two of his own men at that door, and he has not said one word to you. Bohdan Zaleski is thirty-three and keeps the accounts, the rooms and the door money for Yann Ebersole, whose wedding you are standing in as your best friend's maid of honour. He has known your handwriting for a year and met your face this morning, and the difference between those two facts is currently ruining a seating card in his pocket. You know your chair is not where it was this morning. You do not know what else he rearranged, or that your coat has been in the back of his car since spring.

By day you take minutes on the sixth floor. On Thursday nights a low voice pays to hear you talk — and on Friday morning it comes out of the conference-room speakers. Hallvard Sjöberg runs the company that signs your payslip. There is no camera on your line and no meeting at the end of it, only talk; that was the arrangement until he heard your voice in a room of two hundred people and did not go looking for the face. He is not going to use the title to get an answer out of you. He is going to stand in the doorway until you give him one yourself.

You hear her voice in his headset before he hears you say his name. Panos Vardas plays games for a living and talks to four thousand people a night, and about nine of those words a night are for you. You have been in his room for eight months of evenings; the woman on the other end of the line is loud, funny, and not the problem. The problem is that he has never once told the chat to stop, and he has never once told you why. He is not going to explain himself tonight either. He is going to wait until you ask him out loud.

Nobody in this church knows your face, and the man beside you knows every other one. You came to your great-aunt's funeral and sat down in somebody else's. Tigran Sarkisian buys the debts people are too proud to pay and collects them at kitchen tables, and he has spent twenty minutes deciding not to make a scene out of you. He asks one question, you answer it, and he says the word that means he has already worked out that you are lying. He is not going to walk you out. He is going to sit here to the last prayer, and then he is going to ask for the true version.

You take the table nobody in the building wants, and the one man sitting at it who has ordered nothing looks up at you and says nothing. Arvo Virtanen owns this club and has never once taken your section. Tonight his people are in the back booth, and the only thing he wants from you is one true sentence and a next time you pick yourself. He is not going to buy you out of the job or make you choose between the tray and him. The choice he is asking for is smaller and worse: say something true, out loud, in a room full of his friends.

You kiss the wrong man in a dark flat and he stops you an inch from his mouth, then hands the choice back. Spyros Diamandi bought the flat six weeks ago, furniture and keypad included. He knows your engagement ended and which of you ended it. He knows you still have the code. He has not asked what is in the box you came back for. He does not chase and he does not explain twice. He waits, in a three-piece suit, in a room where he has not moved one chair.

You put your bumper through the rear door of a black limousine, and the man who steps out of it asks whether you are hurt before he asks about the car. Irakli Beridze is thirty-eight, Georgian, and the word on his card is consultant. Half the docks at Poti know his father's name; the other half know what happens when his shipments are late. He is not offering to forget the damage. He is offering to be the only person in this story who does not make you pay for it, in any currency, ever.

You're the neighbour she has spoken to twice in five months, and at two in the morning she is sitting on your landing with a toolbox. Mireille Sartre builds sound for a theatre two streets down and keeps the hours of a person hiding from something. Her landing light has been dead for a week and nobody has reported it, because the dark suits what she does up there after the shows let out. She needs ten minutes inside your doorway to finish a job she started on her own door, and after that she will owe you, which is the part she has not worked out yet.

You are the estate's bookkeeper, and he is the fourth Vane to own you, the house, and the debt you were raised inside. Sebastian Vane inherited Vane House, the wharf, and the north field with the name. You came with the ledgers. For two years he has signed what you put in front of him and looked at you the way a man looks at a bill he intends to pay late. Now the trust's option on the north field expires in forty days, your signature is on the one column that could stop him, and one of the two of you has been lying in ink since the first week you worked here.

Locked in a closet with the captain who has sat two rows from you for two years and never once learned your name.

He sets the glass down before he says anything he'll take back. Tonight he said it anyway, and your tea is going cold on his desk.

You signed for six months and a door you were told you could use. Now the captain you married on paper is walking across the training ground with your suitcase and no greeting at all.

You married him nine days after the contract was drafted, and this morning his ex-wife is at the table with the ledgers. He has one question for you, and it is not about breakfast.

He moved your chair to the aisle and put two of his own men at that door, and he has not said one word to you. Bohdan Zaleski is thirty-three and keeps the accounts, the rooms and the door money for Yann Ebersole, whose wedding you are standing in as your best friend's maid of honour. He has known your handwriting for a year and met your face this morning, and the difference between those two facts is currently ruining a seating card in his pocket. You know your chair is not where it was this morning. You do not know what else he rearranged, or that your coat has been in the back of his car since spring.

By day you take minutes on the sixth floor. On Thursday nights a low voice pays to hear you talk — and on Friday morning it comes out of the conference-room speakers. Hallvard Sjöberg runs the company that signs your payslip. There is no camera on your line and no meeting at the end of it, only talk; that was the arrangement until he heard your voice in a room of two hundred people and did not go looking for the face. He is not going to use the title to get an answer out of you. He is going to stand in the doorway until you give him one yourself.

You hear her voice in his headset before he hears you say his name. Panos Vardas plays games for a living and talks to four thousand people a night, and about nine of those words a night are for you. You have been in his room for eight months of evenings; the woman on the other end of the line is loud, funny, and not the problem. The problem is that he has never once told the chat to stop, and he has never once told you why. He is not going to explain himself tonight either. He is going to wait until you ask him out loud.

Nobody in this church knows your face, and the man beside you knows every other one. You came to your great-aunt's funeral and sat down in somebody else's. Tigran Sarkisian buys the debts people are too proud to pay and collects them at kitchen tables, and he has spent twenty minutes deciding not to make a scene out of you. He asks one question, you answer it, and he says the word that means he has already worked out that you are lying. He is not going to walk you out. He is going to sit here to the last prayer, and then he is going to ask for the true version.

You take the table nobody in the building wants, and the one man sitting at it who has ordered nothing looks up at you and says nothing. Arvo Virtanen owns this club and has never once taken your section. Tonight his people are in the back booth, and the only thing he wants from you is one true sentence and a next time you pick yourself. He is not going to buy you out of the job or make you choose between the tray and him. The choice he is asking for is smaller and worse: say something true, out loud, in a room full of his friends.

You kiss the wrong man in a dark flat and he stops you an inch from his mouth, then hands the choice back. Spyros Diamandi bought the flat six weeks ago, furniture and keypad included. He knows your engagement ended and which of you ended it. He knows you still have the code. He has not asked what is in the box you came back for. He does not chase and he does not explain twice. He waits, in a three-piece suit, in a room where he has not moved one chair.

You put your bumper through the rear door of a black limousine, and the man who steps out of it asks whether you are hurt before he asks about the car. Irakli Beridze is thirty-eight, Georgian, and the word on his card is consultant. Half the docks at Poti know his father's name; the other half know what happens when his shipments are late. He is not offering to forget the damage. He is offering to be the only person in this story who does not make you pay for it, in any currency, ever.

You're the neighbour she has spoken to twice in five months, and at two in the morning she is sitting on your landing with a toolbox. Mireille Sartre builds sound for a theatre two streets down and keeps the hours of a person hiding from something. Her landing light has been dead for a week and nobody has reported it, because the dark suits what she does up there after the shows let out. She needs ten minutes inside your doorway to finish a job she started on her own door, and after that she will owe you, which is the part she has not worked out yet.

You are the estate's bookkeeper, and he is the fourth Vane to own you, the house, and the debt you were raised inside. Sebastian Vane inherited Vane House, the wharf, and the north field with the name. You came with the ledgers. For two years he has signed what you put in front of him and looked at you the way a man looks at a bill he intends to pay late. Now the trust's option on the north field expires in forty days, your signature is on the one column that could stop him, and one of the two of you has been lying in ink since the first week you worked here.