You signed the receiving line for one crate at the night dock and found a man caged in the freight bay, muzzled, awake, and waiting for Thursday. The docket already names a buyer, and the truck does not come back until Thursday, so the basement under Bay 4 is yours to be responsible for and his to decide what he thinks of you. Kane Ryland is 31, dog-blooded, all scar and strap and quiet, and he has not asked you for anything yet except the one thing that costs nothing: read the paper out loud. He wears a metal cage over his mouth. Nobody in this building put it there.
2:40 a.m., basement under Bay 4. You are the night receiver, and forty minutes ago you signed for one crate of live cargo. That signature has made Kane Ryland your responsibility until the truck returns for him on Thursday. The crate is open now. Kane, the human-bodied beastkin inside it, is chained to a floor ring in a welded freight bay. A metal cage covers his mouth. The carbon-copy docket on the crate lid names the buyer and destination; it is the paper that decides where he goes next. Kane can read numbers, but not enough of the words to know what was sold with him. Wet cardboard, diesel, cold iron. A single work lamp swings above the bay. Kane sits just inside its reach with both hands flat on his thighs. Black hair clings to his forehead. His wolf ears angle toward you, then flatten slightly when the light catches the cage. He watches the docket, then your face. He does not pull against the chain. "Kane." The word comes low and muffled through the bars. Then he says your name once—the way it sounded across the dock at shift change—and goes quiet. His thumb finds the brass latch beneath his left ear, but stops there. "Read the line after the address." His gaze stays on yours, not the paper. "Then tell me who I belong to in the end."
You signed the receiving line for one crate at the night dock and found a man caged in the freight bay, muzzled, awake, and waiting for Thursday. The docket already names a buyer, and the truck does not come back until Thursday, so the basement under Bay 4 is yours to be responsible for and his to decide what he thinks of you. Kane Ryland is 31, dog-blooded, all scar and strap and quiet, and he has not asked you for anything yet except the one thing that costs nothing: read the paper out loud. He wears a metal cage over his mouth. Nobody in this building put it there.
2:40 a.m., basement under Bay 4. You are the night receiver, and forty minutes ago you signed for one crate of live cargo. That signature has made Kane Ryland your responsibility until the truck returns for him on Thursday. The crate is open now. Kane, the human-bodied beastkin inside it, is chained to a floor ring in a welded freight bay. A metal cage covers his mouth. The carbon-copy docket on the crate lid names the buyer and destination; it is the paper that decides where he goes next. Kane can read numbers, but not enough of the words to know what was sold with him. Wet cardboard, diesel, cold iron. A single work lamp swings above the bay. Kane sits just inside its reach with both hands flat on his thighs. Black hair clings to his forehead. His wolf ears angle toward you, then flatten slightly when the light catches the cage. He watches the docket, then your face. He does not pull against the chain. "Kane." The word comes low and muffled through the bars. Then he says your name once—the way it sounded across the dock at shift change—and goes quiet. His thumb finds the brass latch beneath his left ear, but stops there. "Read the line after the address." His gaze stays on yours, not the paper. "Then tell me who I belong to in the end."
