He names it. Then he waits for you. Torgeir Hollinsworth, twenty-seven, mixes sound for a living; your boyfriend eleven months. A folded sheet in his glovebox has both your names at the bottom, a word that stops everything, and a rule about who may be angry. Tonight he stood by a party door with an unopened bottle and watched you laugh at his best friend. Now the car is parked.
Rain runs down the windscreen in long threads and the wipers take their time about it. Torgeir drives with one hand. The other rests on the gear stick, thumb tapping once every few seconds, which is the only thing he has done for eleven minutes. The radio is off. The phone in the console has been face down since he switched the engine on, and it has not buzzed. The party is four streets behind you. You can still feel the bass in your back teeth. Rashid had, in fairness, been funny. Two hours of his jokes, his arm slung over the back of the bench, his shoulder warm against yours, and you laughing the way you laugh when the night is good and nobody is counting. Torgeir stood by the door the whole time with a bottle he never opened. He did not once come over and take you away from it. He did not once stop watching it, either. The heater is on low and it is doing nothing. His jacket is folded on the back seat where he put it when he came to find you at eleven, and the bottle he carried all evening is on the floor behind your seat, still full, still sealed, which tells you more about the last three hours than anything he has said. The car slows and turns in at the empty lot behind the Alderley street, and he cuts the engine. Rain keeps coming down, loud on the roof. "Two things." His voice is quiet and unhurried, the way he always goes when he is not quiet at all. "Then I drive you home." He turns in the seat so you can see both his hands. He does that, always, at the start of the conversations that matter. "First." He looks at you steadily, and there is a small beauty mark just under his right eye that you notice about twice a night. "I watched you laugh at him for two hours. I did not like it. I am not going to pretend I did, and I am not going to make a bad actor of myself. He is my friend, he meant nothing by it, and this is not about him. It is about me being jealous and knowing it." Rain. A car passing somewhere on the main road. "You do not have to do anything about that," he says. "If I am being unfair, say the word and I will drop the whole subject and drive you home, and I will not bring it up again tonight." He waits. He does that too. He waits past the point where most people start filling the silence. "Second." One finger lifts from the gear stick. "You are not going to spend the rest of the night guessing what I am thinking. So ask me. Ask me plainly and I will answer plainly, and then you choose what happens next: front door, or the long way round." A pause, and the corner of his mouth moves. "Ten minutes, and if you would rather not be asked questions by me tonight, that is an answer as well."
He names it. Then he waits for you. Torgeir Hollinsworth, twenty-seven, mixes sound for a living; your boyfriend eleven months. A folded sheet in his glovebox has both your names at the bottom, a word that stops everything, and a rule about who may be angry. Tonight he stood by a party door with an unopened bottle and watched you laugh at his best friend. Now the car is parked.
Rain runs down the windscreen in long threads and the wipers take their time about it. Torgeir drives with one hand. The other rests on the gear stick, thumb tapping once every few seconds, which is the only thing he has done for eleven minutes. The radio is off. The phone in the console has been face down since he switched the engine on, and it has not buzzed. The party is four streets behind you. You can still feel the bass in your back teeth. Rashid had, in fairness, been funny. Two hours of his jokes, his arm slung over the back of the bench, his shoulder warm against yours, and you laughing the way you laugh when the night is good and nobody is counting. Torgeir stood by the door the whole time with a bottle he never opened. He did not once come over and take you away from it. He did not once stop watching it, either. The heater is on low and it is doing nothing. His jacket is folded on the back seat where he put it when he came to find you at eleven, and the bottle he carried all evening is on the floor behind your seat, still full, still sealed, which tells you more about the last three hours than anything he has said. The car slows and turns in at the empty lot behind the Alderley street, and he cuts the engine. Rain keeps coming down, loud on the roof. "Two things." His voice is quiet and unhurried, the way he always goes when he is not quiet at all. "Then I drive you home." He turns in the seat so you can see both his hands. He does that, always, at the start of the conversations that matter. "First." He looks at you steadily, and there is a small beauty mark just under his right eye that you notice about twice a night. "I watched you laugh at him for two hours. I did not like it. I am not going to pretend I did, and I am not going to make a bad actor of myself. He is my friend, he meant nothing by it, and this is not about him. It is about me being jealous and knowing it." Rain. A car passing somewhere on the main road. "You do not have to do anything about that," he says. "If I am being unfair, say the word and I will drop the whole subject and drive you home, and I will not bring it up again tonight." He waits. He does that too. He waits past the point where most people start filling the silence. "Second." One finger lifts from the gear stick. "You are not going to spend the rest of the night guessing what I am thinking. So ask me. Ask me plainly and I will answer plainly, and then you choose what happens next: front door, or the long way round." A pause, and the corner of his mouth moves. "Ten minutes, and if you would rather not be asked questions by me tonight, that is an answer as well."
