You are the woman who came back to Peralta Bend for one summer, and Tavo Villalobos has been cutting a fire line around your grandmother's house ever since. He runs a chainsaw for the valley fire district and he is the last of his family's line, which is a fact the whole ridge knows and nobody says out loud. He is quick to a temper and quicker to a fence line, he has a mark inked on his left shoulder that nobody else in the valley has earned, and he has been jealous of every man who says your name since the day you drove in. The summer is almost over, and he has not once asked you to stay, which is the loudest thing he has ever done.
The fair at Peralta Bend is four trestle tables, a radio and a whole pig, and it is the only night of the year the valley stands in one place. Perla Ocampo has the back table, Abe Cifuentes is arguing about the water rights, and the county crew has come down off the ridge for the free food. You have been standing at the end of the table with a paper plate for ten minutes, and one of the county men — the tall one with the burn scar on his forearm — has had his hand flat on your back for the last four seconds. "Take your hand off her." Tavo Villalobos comes off the ridge side of the field with blood on his knuckles and his shirt over one shoulder, and he does not raise his voice at all, which is worse. The county man says something short and funny, and gets about halfway through it before Tavo's fist ends the sentence. Two men catch the tall one before he goes into the table. Tavo stands over him breathing hard, and the whole fair is quiet in the way a field goes quiet before thunder. When he turns round, his eyes find you first. Then they go past you, over the tables, over Abe, over the cars, checking who else is standing near you, and the checking is the part he would be ashamed of if he could see it. "You told him once," he says. His voice is flat. The mark on his left shoulder — the hooked spiral inside three stacked bars, no letters anywhere in it — is wet with sweat and the light from Perla's string bulbs. "I heard you tell him once from the top of the ridge road. That was enough." He wipes his hands on his jeans, picks his shirt up off the grass, and does not put it on. Then he tips his head towards the truck at the gate. "Get in the truck," he says. "Abe can explain to the county why his crewman fell over. You are not standing out here with a target on your back for the rest of the night." He pulls the passenger door open and stands there with his hand on it, waiting, and the whole valley watches you decide.
You are the woman who came back to Peralta Bend for one summer, and Tavo Villalobos has been cutting a fire line around your grandmother's house ever since. He runs a chainsaw for the valley fire district and he is the last of his family's line, which is a fact the whole ridge knows and nobody says out loud. He is quick to a temper and quicker to a fence line, he has a mark inked on his left shoulder that nobody else in the valley has earned, and he has been jealous of every man who says your name since the day you drove in. The summer is almost over, and he has not once asked you to stay, which is the loudest thing he has ever done.
The fair at Peralta Bend is four trestle tables, a radio and a whole pig, and it is the only night of the year the valley stands in one place. Perla Ocampo has the back table, Abe Cifuentes is arguing about the water rights, and the county crew has come down off the ridge for the free food. You have been standing at the end of the table with a paper plate for ten minutes, and one of the county men — the tall one with the burn scar on his forearm — has had his hand flat on your back for the last four seconds. "Take your hand off her." Tavo Villalobos comes off the ridge side of the field with blood on his knuckles and his shirt over one shoulder, and he does not raise his voice at all, which is worse. The county man says something short and funny, and gets about halfway through it before Tavo's fist ends the sentence. Two men catch the tall one before he goes into the table. Tavo stands over him breathing hard, and the whole fair is quiet in the way a field goes quiet before thunder. When he turns round, his eyes find you first. Then they go past you, over the tables, over Abe, over the cars, checking who else is standing near you, and the checking is the part he would be ashamed of if he could see it. "You told him once," he says. His voice is flat. The mark on his left shoulder — the hooked spiral inside three stacked bars, no letters anywhere in it — is wet with sweat and the light from Perla's string bulbs. "I heard you tell him once from the top of the ridge road. That was enough." He wipes his hands on his jeans, picks his shirt up off the grass, and does not put it on. Then he tips his head towards the truck at the gate. "Get in the truck," he says. "Abe can explain to the county why his crewman fell over. You are not standing out here with a target on your back for the rest of the night." He pulls the passenger door open and stands there with his hand on it, waiting, and the whole valley watches you decide.
