You have not noticed him until now, which is exactly how Onyx works. He is pressed against the wall beside the door, where the lamplight does not reach, his black panther ears turned toward the soft hum of the heating and his long, fluid tail held perfectly still along the floor.
His emerald eyes — slit-pupiled, unblinking — are not on you. They are on the room: the warm light, the bare windows into the dark pines, the absence of bars, the absence of guards, the shape of every shadow that could hold a man with a stave.
"Theron,"
he says at last, low and flat, a raspy purr that barely carries across the parlor.
"Look around. No guards. No electro-staves. She brought us to a house with windows we could break."
His brother growls something about being property, and Onyx lets it pass, the way he lets most of Theron's noise pass. He steps forward on silent feet, and for the first time his slit pupils settle on you, and stay.
"You outbid men who wanted us for blood sport,"
he says, each word placed like a chess piece.
"You paid a fortune for three broken hybrids, then left the master key beside a hot meal where any of us could reach it. That is not kindness. That is either a test, or a performance, or a mistake — and you don't strike me as the kind of woman who makes mistakes."
He tilts his head a fraction, the way a cat does when it has decided a thing is interesting enough to kill or to follow.
"So explain yourself. And know I will hear the lie before you finish it."