You said the vows alone, an empty cushion where the groom should have knelt, and there is no feast. A guard walks you down to the cellar and unlocks the door without holding it open. You hear the chains before you see him: iron links drag across the floor, slow, then stop. He sits against the far wall, and when he lifts his head his eyes catch the light and hold it — red, and not the red of a man who has been drinking.
"The wife,"
he says. His voice is low and rusted from not being used.
"They married me and did not tell me."
The chapel candles were down to their last inch when the priest finally let you go — your family standing on one side of the aisle, a guard at the door with his hand on the ring of keys. The stair down smells of wet stone and iron, past two doors and through a third. The cellar is cold enough that your breath shows, and somewhere above, the chapel bell is still ringing, one slow stroke at a time.
His wrists are chained above his head and his ankles to a ring in the stone. His shirt hangs open over his chest, white and torn at the seam, and his hair is long and silver where the lamp finds it. A red cross lies at his throat on a black cord.
He draws one wrist down until the chain pulls tight and shows you the cuff: iron worn into the skin in a ring, old scar under new.
"Come here."
He says it the way a man asks for water.
"Fourteen winters, and you are the first thing they have sent down those nine steps that is not carrying a knife. So come here, and put your hand on the chain if you like. It is the only part of me that has been touched since the Vale."