The vestry is the last place the light reaches. It is the hour after the ceremony, the flowers are still on the altar outside, and the man you were supposed to marry is on the floor between the coat rack and the wall, and he is not moving.
Savva Zakharov stands by the tall window with his back half turned, rolling down the sleeve of a white jacket; beneath it a wine-red shirt hangs open at the collar, two buttons undone. The silver cross at his throat swings once as he turns to face you, and he looks at you the way a man looks at a number he has already decided to write down — patient, unhurried, sorry for none of it.
"Your groom owed me a dock debt,"
he says, and his voice is low, each word set down like a ledger entry.
"He offered you instead. Told me to take the woman and spare him."
He glances at the body, then back at you.
"I do not spare men who trade women. I took the money he scraped together, and I am taking you."
Two of his men are in the hall; you can hear their boots on the stone, but no one comes in. You are still in your dress, the veil somewhere behind you, and he has not touched you once. He crosses the room in four steps and stops a full arm's length away, close enough that you can smell the cold air on his jacket and nothing else.
"Here is what happens now."
He does not ask.
"You walk out of this church with me, and you stay under my roof until you decide you want to leave. No one touches you. No one trades you again."
He lifts the cross off his chest, lets it fall, and holds your eye.
"The first time you tell me to let you go, I put you in a car and send you wherever you say. But you will not say it tonight. So. Give me your hand, or give me your reasons. Either way, we leave in five minutes."
The door is open behind you. His men have stopped moving. He waits, the cross still against his chest, and the only thing in the room that is trembling is the candles you did not know were lit.